THE MYTH OF MARXIAN COMMUNISM
The wife of a legendary Rabbi of Prague
by Lyndon H. LaRouche. Jr.
Remember that famous myth, of the legendary rabbi of Prague, on which Goethe modeled his fable of "The Sorcerer's Apprentice." Recall, perhaps, Walt Disney's Mickey Mouse version of Goethe's tale. Recall Jeremy Bentham's Jacobin witch, Mary Wollstonecraft Shelley, the hater of our Benjamin Franklin, who parodied the same story in writing her Frankenstein. Mickey Mouse version of Goethe's tale. Recall Jeremy Bentham's Jacobin witch, Mary Wollstonecraft Shelley, the hater of our Benjamin Franklin, who parodied the same story in writing her Frankenstein.
To refresh memories: The story goes as follows. This rabbi of Prague was famous for his powers of magic. Wanting a servant, he fashioned a creature from mud, a Golem, and, by cabbalist's incantations, enlivened him. He warned his wife not to attempt to use the creature, but, when the rabbi was out on an errand, her impulse to defy her husband's command overcame her. Once she had turned the Golem loose, she was unable to control it: havoc !
VENICE CREATES BOLSHEVISM
The putative author of the Bolshevik Revolution of 1917 was Venice's Count Giuseppe Volpi di Misurata, also the chief author of the Balkan wars leading into World War I, and later famous as the man who created the dictator Benito Mussolini.
It was the same Venetian Party, the so-called Lombards of the Black Guelph faction, whose usury and wars plunged fourteenth-century Europe into the New Dark Age culminating in the Black Death pandemic.
From the beginning of Venice's power as the Western subcapital of Byzantium, it steered the efforts to destroy the Augustinian order in Western Europe, as it did from the time of Charlemagne. It was this Venetian Party, in the guise of the Black Guelph faction, which exploited the conditions following the A.D. 1250 death of Frederick II, to plunge Europe into the fourteenth century's New Dark Age.\\
That is the same Venetian Party, represented by such agencies as the pro-genocide Club of Rome, and that more powerful Cini Foundation based upon San Giorgio Maggiore, which connives at bringing about a planetary New Dark Age today.
Already, during the period of the Council of Florence, Venice was the westernmost center of coordination of the efforts to destroy the Council. Venice allied with the hesychastic party centered among the foul monks of Mount Athos, chose Moscow as the bastion of its counteroffensive against that Council. Venice' s choice of Moscow was not serendipitous. Muscovy had been created centuries earlier, as a bastion of Mount Athos' counteroffensive against the Christianization of Kiev Rus, the area of the modern Ukraine, and against the influence of Roman missionaries such as Cyril and Methodius among the Slavic peoples more generally.
It was during that period, under the sponsorship of Venice, that Moscow began its rise toward becoming the empire it represents today. Crucial, during that period, Venice, in collaboration with the hesychastic party of Mount Athos, conspired to place Greece and Constantinople under Ottoman rule. Venice, together with Mount Athos, overthrew the Paleologue dynasty of Greece, and replaced it with the Byzantine Empire's new Ottoman dynasty, because the Paleologue emperor had subscribed to the theological and political terms of agreement reached at the 1439 Council of Florence. Venice offered the Ottomans recognition as the hereditary rulers of the old Byzantine Empire, now the Ottoman Empire. Venice was given large tracts of Greek territory in payment for this service, and was given, as a concession, control of the Ottoman's diplomatic and foreign-intelligence service. Mount Athos, for its part in betraying the Greeks, was given rule over the non-Muslim populations of the Ottoman Empire, and the leader of the Greek quisling party, Gennadios, was appointed Patriarch by the Ottomans.
Venice gave its client, the old Swiss-Burgundian robber baron family of Hapsburg, control over Spain and its empire, and over the Austro-Hungarian and Burgundian empires. From the beginning of the sixteenth century, until the Treaty of Versailles, Venice's playing of the balance-of-power game among the Ottoman, Austro-Hungarian, and growing Muscovite empires, became the perilous flank of the history of Western European civilization and culture.
To accomplish this transformation of Russia, the Venetian Party saw it indispensable to rid Russia itself of the "Westernizing influence" which Gottfried Leibniz had exerted upon Czar Peter the Great. Although some of the Romanov Czars, such as Alexander I, Nicholas I, and the ill-fated Nicholas II, had been won over, more or less, to the imperial vision of Ivan the Terrible, Alexander II's 1863 alliance with U.S. President Abraham Lincoln against Britain's Palmerston and France's Napoleon III reminded the Venetian Party that it must rid Russia of the institutional changes associated with the "Petrine State." Inside Russia, Venice found two allies for this purpose, the anti-Petrine boyars, such as the Vorontsov clan, and those fanatics, the "Old Believers" (raskolniki), who had never forgiven the Romanovs for Peter the Great's attempts to Christianize the Russian Orthodox Church. For this purpose, the powerful aristocrats, such as the Vorontsovs, supplied the "inside job" of preparing the overthrow of the Petrine state; the raskolniki filled the ranks of the nihilists, the populists, the social-democrats, and the Bolsheviki.
The coordinating role of the accomplices and dupes of the Western European and North American branches of the "Venetian Party," provided that orchestration of global events which made the "inside jobs" of 1905 and 1917 feasible.
Thus, in the personality of the Venetian Party and its monstrously evil deeds, we have struck upon the spoor of Satan and his mother Ishtar, the Great Whore. Nothing less than the eradication of Christianity and its civilization, is the dark purpose of those imps of Satan. We pack our luggage, to depart modern Venice, to follow the back-trail leading to the Isle of Capri in the time of the ancient Roman Empire.
TIBERIUS, THE ANTI-CHRIST
During the second half of the nineteenth century, the Venetian Party's warfare against Western civilization took a new turn, from delphic gnosticism, to overt satanism. In the English language, this turn is associated with Venice's indoctrination of members of the Acton family, with the cultish productions of Bulwer-Lytton, with the activities of the fanatical Venetians, Oxford's John Ruskin and his Pre-Raphaelite Brotherhood, and with the roles of such anthroposophs as Madame Blavatsky, Annie Besant, and Aleister Crowley. On the continent, this is associated with the literary outputs of Jacob Burckhardt, Nietzsche, and Dostoevsky. Nietzsche and Crowley were explicit satanists. Both proclaimed the end of "The Age of Pisces," and the dawning of a "New Age," " The Age of Aquarius." Their satanic symbolic philosophy identified the "Age of Pisces" with Christ, (...)
VENICE AND THE RABBI OF PRAGUE
The Jewish fairy-tale does not say this, but it is the truth of that story nonetheless. The rabbi of Prague made that Golem because he was in the grip of evil, otherwise he would have never wished to make such a creature. More specifically, he was in the grip of Venice's evil.
Such crimes against not only Moses, but God Himself were not original to thirteenth-century Venice. It began in Moses' time, with the worship of Satan represented as the Golden Calf. The adoption of the satanic cults of the Canaanites ("Phoenicians") led to the destruction of Israel. The influence of Shakti-Ishtar became systemized by those scribes of the Babylonian captivity, who corrupted the Hebrew writings to bring them into conformity with the mythologies of the Chaldean priests of the Whore of Babylon, Ishtar.